10.26.2009
It's Fall in TN!
I just thought to share a little of the beauty of Fall in Middle Tennessee. The trees are changing color and the leaves are falling. They make such a wonderful crunching sound underfoot.
Bowl-a-thon Update
All the bowls made during the Bowl-a-thon in September are finally fired. They will be picked up on Wednesday to be washed and made ready for the Cookin' on the Square event this Friday. You can read about the event in the Herald-Citizen. I'm not sure how many bowls were made, but there were four kiln loads worth.
10.16.2009
A New Direction?
In an attempt to add "more" (meaning, visual complexity, etc.) to my work, I decided to use my own corrupted version of printmaking on clay. The thought process went something like this: I enjoyed creating monotypes and monoprints in grad school, what if I took those ideas of making and used them on clay. From there I had a liberating sense of the possibilities of experimentation. Most of the results fall into the category of "the bad stuff you make in order to get to the good stuff." I don't know if I would classify the plates to the left as "the good stuff" just yet, but they are definitely on their way. I am very encouraged by these results, but am skeptical as to how well this process will translate to forms that are not flat or slightly curved. Those experiments begin today.
9.27.2009
Bowl-A-Thon!
Yesterday, Saturday, September 26th, the ceramics department held Bowl-a-thon. Students, potters, and folks from the community who could throw a bowl, wedge clay, or just wanted to help were welcome to participate. All the bowls made are going to be fired and donated to Cookin' on the Square in Cookeville, TN. This event benefits Habitat for Humanity and is held the last Friday of October (the 30th this year). I've already got the first load in the kilns to be bisque-fired.
After making bowls all morning long, the masses were hungry. The doughnuts gave us enough of a sugar buzz to work until lunch, but this pizza and Snapple didn't last long. At the end of the day, I'm not sure how many bowls were made, but all the carts in the kiln room were full. I won't do an official count until they are being packed for delivery.
The NEW Soda Kiln
Once we poured the castable, it was time for a mudding of the arch. This is just the first layer of a combination of recycle clay, sand, and sawdust. After this came a layer of scrap soft brick, then more of this yummy goo.
Then came the chimney, at least the brick part of it. We moved the damper to the front side of the chimney for easier access.

Vince and Brendan placed the culvert on top of the brick part of the chimney. This extends through the metal roof and is held in place with more castable. I had an adventurous time picking up the culvert pipe in Cookeville. It was during a downpour, which after three weeks of rain, became a flood. I was very glad to be in the Craft Center's truck and not my car!
9.04.2009
Exhibiton Opening
The Wichita All Media National Craft Exhibition opens today. My piece titled Solitary Dinner was juried into the exhibition. The dates for the show are September 4 - October 18, 2009 with the opening reception tonight from 5-7pm. I wish I was able to attend, but maybe they will post pictures online.
9.02.2009
Raku Kiln Takedown
Due to unforseen events this summer we, the clay studio, need to move our soda kiln to the area where our raku kiln lives. In order to accomplish this, we had to remove the raku kiln. This does not mean the end of raku here at the craft center, just an adjustment in kiln use. Yesterday was the day of demolition for our very old, and remarkably still good raku kiln. Here Vince Pitelka, head of clay at ACC, is using the cutting torch to remove the steel frame from around the soft brick. John Cole is lending a hand.
We were concerned about the roof collapsing once we cut the frame off. Fortunately it did not. The bricks at in the bottom of the kiln have been pulled out of the roof.
Here it is in mid-takedown. We were able to salvage quite a bit of soft brick. Yay! More to use for other things and kilns.
Now we are down to the floor of the kiln. All kinds of thing melted into it. Some of the debris had amazing sculptural qualities.
Instead of pouring a pad of concrete to level the kiln, whoever built the raku kiln used mortar on each cinder block to level it. After many years of bearing the weight of the kiln, those cinder blocks adhered themselves to the concrete beneath. We had to use a chisel and a pry bar to remove them. Here the chisel caught the tip of the glove holding it in place. Luckily Vince's fingers were not caught.
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