10.16.2009

A New Direction?




In an attempt to add "more" (meaning, visual complexity, etc.) to my work, I decided to use my own corrupted version of printmaking on clay.  The thought process went something like this:  I enjoyed creating monotypes and monoprints in grad school, what if I took those ideas of making and used them on clay.  From there I had a liberating sense of the possibilities of experimentation.  Most of the results fall into the category of "the bad stuff you make in order to get to the good stuff."  I don't know if I would classify the plates to the left as "the good stuff" just yet, but they are definitely on their way.  I am very encouraged by these results, but am skeptical as to how well this process will translate to forms that are not flat or slightly curved.  Those experiments begin today. 

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